Board members, per the bylaws, must be employees of member organizations, thus ensuring congruence of purpose between Board interests and Membership interests. Each year a Board nominating committee initiates a process to solicit nominees from the Membership, and after careful due diligence, the Network Board recommends a slate of Directors for a member organization vote. We strive for full representation within the Board with individuals representing organizations of various sizes, genres, geography and people with varied functional and leadership skill sets. Per Network bylaws that were put forth by the Membership, the Network governing Board is a diverse group of leaders from Tessitura Software licensee Members. The Tessitura Network is governed by an elected Board of Tessitura users. (Please note that the majority of Tessitura Network Members are located in the United States, and for the purpose of this application we will focus on US-based organizations only.) Tessitura Software is the key infrastructure tool-it serves as a living repository of all patron and prospect information, plus processes ticket and admission sales, handles memberships and philanthropy, powers web transactions, manages customer relationships and creates reports-and the Tessitura Network fosters an open and productive environment where Members can openly share ideas, concerns, methods and tools to raise organizational productivity. Today thousands of individuals use Tessitura to advance 320+ arts and cultural institutions in Australia, Canada, Ireland, New Zealand, the United Kingdom and the United States. In less than a decade Tessitura Software has become the industry leader and the Tessitura Network continues to grow in both size and strength. was established and granted 501(c)(3) status the following year. Operations began immediately, and in 2002 the Tessitura Network, Inc. This non-profit structure allowed for the Network to make decisions to best benefit the Members, instead of being motivated by commercial gain or investors. In 2001 the early adopters determined that a separate organization was needed for the support and development of Tessitura Software, and after exploring several corporate models decided on a non-profit, Member-owned business that could collaborate to provide excellent service without being under the umbrella of a corporate entity. The scope expanded beyond performing arts to include a broad and diverse spectrum of the arts and cultural sector such as museums, university arts departments and entertainment organizations. Licensing to additional non-profit arts and cultural organizations was initiated based on demand, and the number of organizations using Tessitura grew rapidly over the next several years. Gradually other arts and cultural organizations assessed their own infrastructure needs and became aware of the superiority of this new solution, and in 2000-2001 the Santa Fe Opera, Kennedy Center, San Francisco Symphony and Seattle Opera also implemented Tessitura. The leadership of the Met undertook the project and built a system based on experienced user-defined specifications and input, and the new Tessitura Software went into use at the Met in 1998. At that time, arts organizations around the world were struggling to find an integrated, customizable and robust system to provide needed infrastructure, but a viable solution was unavailable. Tessitura Software was created by the Metropolitan Opera of New York (“the Met”) in the mid-1990s in response to their internal need for a fully-integrated database for ticketing, fundraising, marketing, reporting, customer relationship management, web transactions and other functions necessary for the successful management of a performing arts organization. The Tessitura Network is comprised of organizations that use Tessitura Arts Enterprise Software, a powerful technological solution that is unique to the arts and cultural sector.
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